FG Audiokommunikation

121 Items

Recent Submissions
Visualizing Music Psychology: A Bibliometric Analysis of Psychology of Music, Music Perception, and Musicae Scientiae from 1973 to 2017

Anglada-Tort, Manuel ; Sanfilippo, Katie Rose M. (2019-01-25)

Music psychology has grown drastically since being established in the middle of the 19th century. However, until now, no large-scale computational bibliometric analysis of the scientific literature in music psychology has been carried out. This study aims to analyze all published literature from the journals Psychology of Music, Music Perception, and Musicae Scientiae. The retrieved literature ...

Commentary on Canonne (2018): Listening to Improvisation

Anglada-Tort, Manuel (2018)

The target study explores whether evaluations of the same piece of music differ under two distinct listening conditions: listening to a piece described either as an improvisation or as a preexisting composition. Participants (N = 16) in the two conditions listened to the same musical piece and provided verbal evaluative judgements. The author used a grounded theory approach to analyze listeners...

ABC_DJ Implementation in Territories Outside Europe

Reguera, Lucía ; Muñoz, Bruno ; Pozo, Nerea (2019-01-02)

This report lays the foundation for a possible transfer of novel audio branding and in-store music concepts, monetising schemes to Asia and the Americas. A first survey of procedural, legal, technical and cultural requirements for the export of audio branding services is produced. Being the final analysis of our research, we have dedicated this document to the legal backdrop and regulations of...

Agreement on a New Single License Model for In-Store Audio Systems for European Collecting Societies

Reguera, Lucía ; Muñoz, Bruno ; Pozo, Nerea ; Roozendaal, Dave (2019-01-02)

The goal of this document is to propose a novel, convenient and adequate in-store license model for both users and CMOs. To this end we have carried out a case study integrating three different users, from a CMO perspective: A Music Provider, and two end users (a 100 sq m clothing store and bar). The goal is to demonstrate, in a practical way, the procedures these users would need to follow, i...

Final Research Report for Sound Design and Audio Player

Schwarz, Diemo ; Fourer, Dominique (2018-12-31)

This deliverable describes the work on Task 4.3 Algorithms for sound design and feature developments for audio player. The audio player runs on the in-store player (ISP) and takes care of rendering the music playlists via beat-synchronous automatic DJ mixing, taking advantage of the rich musical content description extracted in T4.2 (beat markers, structural segmentation into intro and outro, m...

Final Research Report on Auto-Tagging of Music

Schwarz, Diemo ; Peeters, Geoffroy ; Cohen-Hadria, Alice ; Fourer, Dominique ; Marchand, Ugo ; Mignot, Rémi ; Cornu, Frédéric ; Laffitte, Pierre ; Schindler, Daniel ; Hofmann, Robin ; Spadaveccia, Rino (2018-12-12)

The deliverable D4.7 concerns the work achieved by IRCAM until M36 for the “auto-tagging of music”. The deliverable is a research report. The software libraries resulting from the research have been integrated into Fincons/HearDis! Music Library Manager or are used by TU Berlin. The final software libraries are described in D4.5. The research work on auto-tagging has concentrated on four aspe...

Music Providers Landscape Europe

Torres, Borja ; Roozendaal, Dave ; Reguera, Lucía (2016-06-30)

This text gives a comprehensive overview of the landscape of European music creators and their respective multipliers in an audio branding and in-store music context. This includes an investigation of music management procedures as well as audio file formats and qualities in use.

Analysis of European IP Laws for Audio Branding Context

Reguera, Lucía ; Planas, Noemí ; Muñoz, Bruno (2016-12-31)

This document is the first of two dealing with the legal regulations and the management of the Intellectual Property (IP) rights involved in audio branding processes and is complemented with document D7.1. After conducting a thorough search of bibliography both online and in specialised libraries, and holding informal meetings with the Commission’s department in charge of copyright policy and l...

Survey Report: Audio Branding Support Systems

Schindler, Daniel Artur ; Miccoli, Stefano ; Torres, Borja (2016-04-29)

Existing tools for use in audio branding are surveyed and typical core work steps are defined. Particular attention is paid to professional metaphors in use and intuitive usability which support audio branding communication, workflows, automation, monitoring and maintenance. Furthermore design of UIs which give representation support are examined in detail. Results are arranged into concrete re...

Common Definitions in Audio Branding Processes

Haaksman, Felix ; Schönrock, Andreas ; Borgstedt, Silke ; Peeters, Geoffroy ; Muñoz, Bruno ; Lepa, Steffen ; Canepa, Alessandro ; Cardinale, Paolo ; Schindler, Daniel (2017-04-06)

To minimise internal and external misconceptions on any level, an internal terminology standard concerning music, business and advertising semantics for the ABC_DJ project was created in March 2016. According to their respective expertise all members of the consortium defined project relevant terms from their respective field of expertise resulting in this dictionary, built upon professional us...

Report on Collecting Schemes Europe

Reguera, Lucía ; Muñoz, Bruno ; Planas, Noemí ; Pozo, Nerea (2016-06-30)

This document is the second of two dealing with the legal regulation and the management of the Intellectual Property (IP) rights involved in audio branding processes and is complemented by document D7.2. There are no reports or compendia dealing with the management of IP rights from the point of view of audio branding. Thus, we have conducted surveys among the Collective Management Organization...

False memories in music listening: exploring the misinformation effect and individual difference factors in auditory memory

Anglada-Tort, Manuel ; Baker, Thomas ; Müllensiefen, Daniel (2018-11-14)

The study of false memory has had a profound impact on our understanding of how and what we remember, as shown by the misinformation paradigm [Loftus, E. F. (2005). Planting misinformation in the human mind: A 30-year investigation of the malleability of memory. Learning & Memory, 12(4), 361–366. doi:10.1101/lm.94705] Add to Citavi project by DOI. Though misinformation effects have been demonst...

Understanding music-selection behavior via statistical learning: Using the percentile-Lasso to identify the most important factors

Greb, Fabian ; Steffens, Jochen ; Schlotz, Wolff (2018)

Music psychological research has either focused on individual differences of music listening behavior or investigated situational influences. The present study addresses the question of how much of people's listening behavior in daily life is due to individual differences and how much is attributable to situational effects. We aimed to identify the most important factors of both levels (i.e., p...

Assessment of speech perception based on binaural room impulse responses

Kokabi, Omid ; Brinkmann, Fabian ; Weinzierl, Stefan (2018-03-14)

This document is supplement to "Assessment of speech perception based on binaural room impulse responses", a master thesis realized at the audio communication group at Technische Universität Berlin. In this thesis, the prediction accuracy with a binaural intelligibility model with an extension to model the influence of reverberation was tested for four different virtual rooms. Therefore, speech...

A Database on Musicians’ Movements During Musical Performances

Ackermann, David ; Böhm, Christoph ; Weinzierl, Stefan (2018-10)

The movements of 20 musicians playing 11 different musical instruments, including all standard orchestral instruments, were captured during solo performances by means of a motion capturing system under concert-like conditions.

Becoming the Synthi-Fou: Stockhausen and the new keyboardism

Fowler, Michael (2011)

Karlheinz Stockhausen embraced the potential of electronic music to generate new timbres and acoustic typologies early in his career. After first experimenting with magnetic tape in works such as Gesang der Jünglinge (1955) and Kontakte (1958–60), he later embraced other synthesis technologies for the production of large-scale spatial electro-acoustic works such as Sirius (1970) and Oktophonie ...

Names and titles matter: The impact of linguistic fluency and the affect heuristic on aesthetic and value judgements of music

Anglada-Tort, Manuel ; Steffens, Jochen ; Müllensiefen, Daniel (2018-04)

It has been shown that titles influence peoples’ evaluation of visual art. However, the question of whether titles and artist names affect listeners when evaluating music has not yet been investigated. By using two well-known cognitive heuristics, the authors investigated whether names presented with music pieces influenced aesthetic and value judgments of music. Experiment 1 (N = 48) focused o...

Perzeptiv motivierte, parametrische Synthese binauraler Raumimpulsantworten

Stade, Philipp (2018)

Diese Dissertation beschäftigt sich mit der Entwicklung und Untersuchung von Methoden zur Synthese binauraler Signale für eine dynamische Hörbarmachung von akustischen Gegebenheiten über Kopfhörer. Es werden verschiedene Modelle gebildet, die diffuse und gerichtete Schallfeldkomponenten separat analysieren und mittels Parametern charakterisieren. Anschließend werden diese raumabhängigen Merkmal...

Acoustics of Kabuki Theaters - Input Data for Room Acoustics Simulation

Büttner, Clemens ; Yabushita, Mitsuru ; Sanchez-Parejo, Antonio ; Morishita, Yu ; Weinzierl, Stefan (2018-07-04)

This data set contains CAD-Models (.skp) of the eight following Kabuki theaters: Hoo-za, Kanamaru-za, Murakuni-za, Hakuun-za, Meiji-za, Yachiyo-za, Uchiko-za, Kaho Gekijo.

Determinants of music-selection behavior: development of a model

Greb, Fabian (2018)

Für viele Menschen ist Musikhören heutzutage ein integraler Bestandteil ihres Alltags. Die Digitalisierung und technische Entwicklungen, wie Smartphones und Musik-Streaming-Dienste, bieten den Menschen fast uneingeschränkte Freiheit in jeder Situation jede Art von Musik zu hören. Im Gegensatz zur weitverbreiteten Nutzung dieser Technologien ist wenig über die Prozesse bekannt, welche der Musika...