Please use this identifier to cite or link to this item: http://dx.doi.org/10.14279/depositonce-23
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Main Title: Comparison of Spatial Audio Techniques for Use in Stage Acoustic Laboratory Experiments
Author(s): Laird, Iain
Murphy, Damian
Chapman, Paul
Type: Conference Object
URI: http://depositonce.tu-berlin.de/handle/11303/180
http://dx.doi.org/10.14279/depositonce-23
License: https://creativecommons.org/licenses/by-nc-nd/3.0/de/
Abstract: Real-time auralisation systems are increasingly being used by researchers aiming to observe how particular stage and auditorium configurations affect a musician’s performance technique. These experiments typically take place in controlled laboratory conditions equipped with auralisation systems capable of reproducing the 3D acoustic conditions of a performance space in response to a performing musician in real-time. This paper compares the performance of First Order Ambisonics and Spatial Impulse Response Rendering in terms of both objective measurements and subjective listening tests. It was found that both techniques spatialised single reflections with similar accuracy when measured at the sweet spot. Informal listening tests found that the techniques produced very similar perceived results both for synthesised impulse responses and for measured stage acoustic impulse responses.
Subject(s): ambisonics
auralization
sound field synthesis
spatial audio
Issue Date: 18-Mar-2014
Date Available: 18-Mar-2014
Is Part Of: 10.14279/depositonce-4103
Language Code: en
DDC Class: 620 Ingenieurwissenschaften und zugeordnete Tätigkeiten
Proceedings Title: Proceedings of the EAA Joint Symposium on Auralization and Ambisonics 2014
Publisher: Universitätsverlag der TU Berlin
Page Start: 140
Page End: 146
ISBN: 978-3-7983-2704-7
TU Affiliation(s): Fak. 1 Geistes- und Bildungswissenschaften » Inst. Sprache und Kommunikation » FG Audiokommunikation
Appears in Collections:Technische Universität Berlin » Publications

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