Please use this identifier to cite or link to this item: http://dx.doi.org/10.14279/depositonce-6394
Main Title: Alvin Lucier's Music for Solo Performer: Experimental music beyond sonification
Author(s): Straebel, Volker
Thoben, Wilm
Type: Article
Language Code: en
Abstract: Alvin Lucier's Music for Solo Performer (1965), often referred to as the ‘brain wave piece’, has become a key work of experimental music. Its setup, in which the brain waves of a solo performer are made to excite percussion instruments, has given the work a central place in the discourse on artistic sonification. However, only a small number of the authors making reference to the work seem to have studied the score, and even fewer have given thought to the score's implications for performance practice and aesthetic reflection. This paper pays detailed attention to these yet overlooked aspects, drawing on accounts of early performances as well as the authors’ participation in a 2012 performance led by the composer. We also trace the history of live-electronic equipment used for Music for Solo Performer and discuss the work's reception in sonification research.
URI: https://depositonce.tu-berlin.de//handle/11303/7085
http://dx.doi.org/10.14279/depositonce-6394
Issue Date: 2014
Date Available: 27-Oct-2017
DDC Class: 780 Musik
Subject(s): music
computer science applications
Usage rights: Terms of Germany Copyright Law
Journal Title: Organised sound
Publisher: Cambridge University Press
Publisher Place: Cambridge
Volume: 19
Issue: 1
Publisher DOI: 10.1017/s135577181300037x
Page Start: 17
Page End: 29
EISSN: 1469-8153
ISSN: 1355-7718
Notes: Dieser Beitrag ist mit Zustimmung des Rechteinhabers aufgrund einer (DFG geförderten) Allianz- bzw. Nationallizenz frei zugänglich.
This publication is with permission of the rights owner freely accessible due to an Alliance licence and a national licence (funded by the DFG, German Research Foundation) respectively.
Appears in Collections:Fachgebiet Audiokommunikation » Publications

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