Please use this identifier to cite or link to this item: http://dx.doi.org/10.14279/depositonce-7306
Main Title: Becoming the Synthi-Fou: Stockhausen and the new keyboardism
Author(s): Fowler, Michael
Type: Article
Language Code: en
Abstract: Karlheinz Stockhausen embraced the potential of electronic music to generate new timbres and acoustic typologies early in his career. After first experimenting with magnetic tape in works such as Gesang der Jünglinge (1955) and Kontakte (1958–60), he later embraced other synthesis technologies for the production of large-scale spatial electro-acoustic works such as Sirius (1970) and Oktophonie (1990–91). His interest in technological advances in sound design and sound diffusion also managed to penetrate his highly evolved Klavierstücke.
URI: https://depositonce.tu-berlin.de//handle/11303/8145
http://dx.doi.org/10.14279/depositonce-7306
Issue Date: 2011
Date Available: 31-Aug-2018
DDC Class: 780 Musik
License: http://rightsstatements.org/vocab/InC/1.0/
Journal Title: Tempo
Publisher: Cambridge University Press
Volume: 65
Issue: 255
Publisher DOI: 10.1017/S0040298211000015
Page Start: 2
Page End: 8
EISSN: 1478-2286
ISSN: 0040-2982
Notes: Dieser Beitrag ist mit Zustimmung des Rechteinhabers aufgrund einer (DFG geförderten) Allianz- bzw. Nationallizenz frei zugänglich.
This publication is with permission of the rights owner freely accessible due to an Alliance licence and a national licence (funded by the DFG, German Research Foundation) respectively.
Appears in Collections:FG Audiokommunikation » Publications

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