Please use this identifier to cite or link to this item: http://dx.doi.org/10.14279/depositonce-8694
Main Title: The Role of Haptic Cues in Musical Instrument Quality Perception
Author(s): Saitis, Charalampos
Järveläinen, Hanna
Fritz, Claudia
Type: Book Part
Language Code: en
Is Part Of: 10.1007/978-3-319-58316-7
Abstract: We draw from recent research in violin quality evaluation and piano performance to examine whether the vibrotactile sensation felt when playing a musical instrument can have a perceptual effect on its judged quality from the perspective of the musician. Because of their respective sound production mechanisms, the violin and the piano offer unique example cases and diverse scenarios to study tactile aspects of musical interaction. Both violinists and pianists experience rich haptic feedback, but the former experience vibrations at more bodily parts than the latter. We observe that the vibrotactile component of the haptic feedback during playing, both for the violin and the piano, provides an important part of the integrated sensory information that the musician experiences when interacting with the instrument. In particular, the most recent studies illustrate that vibrations felt at the fingertips (left hand only for the violinist) can lead to an increase in perceived sound loudness and richness, suggesting the potential for more research in this direction.
URI: https://depositonce.tu-berlin.de/handle/11303/9648
http://dx.doi.org/10.14279/depositonce-8694
Issue Date: 3-May-2018
Date Available: 19-Jul-2019
DDC Class: 780 Musik
Subject(s): music perception
violin
piano
musical instrument
haptic feedback
License: https://creativecommons.org/licenses/by/4.0/
Book Title: Musical Haptics
Editor: Papetti, Stefano
Saitis, Charalampos
Publisher: Springer
Publisher Place: Cham
Publisher DOI: 10.1007/978-3-319-58316-7_5
Page Start: 73
Page End: 93
EISSN: 2192-2985
ISBN: 978-3-319-58315-0
978-3-319-58316-7
ISSN: 2192-2977
Appears in Collections:FG Audiokommunikation » Publications

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