Art history at the art school: revisiting the institutional origins of the discipline based on the case of nineteenth-century Greece

dc.contributor.authorVratskidou, Eleonora
dc.date.accessioned2016-10-29T10:07:37Z
dc.date.available2016-10-29T10:07:37Z
dc.date.issued2015-12
dc.description.abstractAs part of a broader research on the teaching of art history in nineteenth-century art academies, this paper focuses on the courses offered at the Athenian School of Arts from 1844 to 1863 by the historian and philologist Grigorios Pappadopoulos. In his teaching, Papadopoulos turned away from the tradition of a universal history for artists established in Italian and French art schools, and proposed instead an in-depth study of ancient Greek art, drawing on the German university model, and more particularly on Karl Otfried Müller’s Handbuch der Arhchaölogie der Kunst (1830). The paper examines the various operations that permitted the re-invention of an archaeological manual for the purposes of art education, and analyses the different approaches to the study of ancient art developed within the School of Arts and the Athenian University during the period. I argue that adapting the scholarly study of art to the needs of artistic training gave way to approaches primarily centred on objects, techniques and forms, rather than on the construction of historical narratives. The Greek case is used in order to reflect more broadly on the scholarly courses of art academies, which remain largely overlooked both within the history of art education and the history of art history. Lying at the intersection of these two fields, scholarly training at the art school, and art history courses in particular, may permit both a re-evaluation of art education in the nineteenth century and a better understanding of the varied institutional frameworks that shaped art history as a discipline.en
dc.identifier.eissn2042-4752
dc.identifier.urihttps://depositonce.tu-berlin.de/handle/11303/5960
dc.identifier.urihttp://dx.doi.org/10.14279/depositonce-5547
dc.language.isoenen
dc.rights.urihttps://creativecommons.org/licenses/by-nc/4.0/en
dc.subject.ddc700 Künste; Bildende und angewandte Kunstde
dc.subject.ddc900 Geschichte und Geografiede
dc.subject.otherart educationen
dc.subject.otherart history for artistsen
dc.subject.otheruniversityen
dc.subject.othercultural transferen
dc.subject.otherKarl Otfried Mülleren
dc.subject.otherKunsthochschulede
dc.subject.otherKunstgeschichtede
dc.subject.otherUniversitätde
dc.subject.otherKulturtransferde
dc.titleArt history at the art school: revisiting the institutional origins of the discipline based on the case of nineteenth-century Greeceen
dc.typeArticleen
dc.type.versionpublishedVersionen
dcterms.bibliographicCitation.journaltitleJournal of art historiographyen
dcterms.bibliographicCitation.originalpublishernameDepartment of Art History, University of Birminghamen
dcterms.bibliographicCitation.originalpublisherplaceBirminghamen
dcterms.bibliographicCitation.volume13en
tub.accessrights.dnbfreeen
tub.affiliationFak. 1 Geistes- und Bildungswissenschaften::Inst. Kunstwissenschaft und Historische Urbanistik::FG Kunstgeschichte der Modernede
tub.affiliation.facultyFak. 1 Geistes- und Bildungswissenschaftende
tub.affiliation.groupFG Kunstgeschichte der Modernede
tub.affiliation.instituteInst. Kunstwissenschaft und Historische Urbanistikde
tub.publisher.universityorinstitutionTechnische Universität Berlinen

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