Commentary on Canonne (2018): Listening to Improvisation
| dc.contributor.author | Anglada-Tort, Manuel | |
| dc.date.accessioned | 2019-02-20T07:40:14Z | |
| dc.date.available | 2019-02-20T07:40:14Z | |
| dc.date.issued | 2018 | |
| dc.description.abstract | The target study explores whether evaluations of the same piece of music differ under two distinct listening conditions: listening to a piece described either as an improvisation or as a preexisting composition. Participants (N = 16) in the two conditions listened to the same musical piece and provided verbal evaluative judgements. The author used a grounded theory approach to analyze listeners’ responses, reporting different listening experiences in the two groups. The findings provide unique insights to enable a greater understanding of the nature of the aesthetics of improvisation. In this commentary, I first discuss the strengths of the article, followed by methodological considerations and suggestions for future research. I then present a short literature review and discussion of what I consider the most relevant topic in relation to this study, namely, the effects of contextual information on subjective evaluations. | en |
| dc.identifier.eissn | 1559-5749 | |
| dc.identifier.uri | https://depositonce.tu-berlin.de/handle/11303/9131 | |
| dc.identifier.uri | http://dx.doi.org/10.14279/depositonce-8220 | |
| dc.language.iso | en | en |
| dc.rights.uri | https://creativecommons.org/licenses/by-nc/4.0/ | en |
| dc.subject.ddc | 150 Psychologie | en |
| dc.subject.ddc | 780 Musik | en |
| dc.subject.other | improvisation | en |
| dc.subject.other | aesthetics | en |
| dc.subject.other | music evaluation | en |
| dc.subject.other | contextual information | en |
| dc.subject.other | Improvisation | de |
| dc.subject.other | Ă„sthetik | de |
| dc.subject.other | Musik | de |
| dc.subject.other | Beurteilung | de |
| dc.subject.other | Kontextinformation | de |
| dc.title | Commentary on Canonne (2018): Listening to Improvisation | en |
| dc.type | Article | en |
| dc.type.version | publishedVersion | en |
| dcterms.bibliographicCitation.doi | 10.18061/emr.v13i1-2.6387 | en |
| dcterms.bibliographicCitation.issue | 1-2 | en |
| dcterms.bibliographicCitation.journaltitle | Empirical Musicology Review | en |
| dcterms.bibliographicCitation.originalpublishername | Ohio State Univ. Library | en |
| dcterms.bibliographicCitation.originalpublisherplace | Columbus, Ohio | en |
| dcterms.bibliographicCitation.pageend | 20 | en |
| dcterms.bibliographicCitation.pagestart | 16 | en |
| dcterms.bibliographicCitation.volume | 13 | en |
| tub.accessrights.dnb | free | en |
| tub.affiliation | Fak. 1 Geistes- und Bildungswissenschaften::Inst. Sprache und Kommunikation::FG Audiokommunikation | de |
| tub.affiliation.faculty | Fak. 1 Geistes- und Bildungswissenschaften | de |
| tub.affiliation.group | FG Audiokommunikation | de |
| tub.affiliation.institute | Inst. Sprache und Kommunikation | de |
| tub.publisher.universityorinstitution | Technische Universität Berlin | en |